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The Spon VFX team collaborated with Director Francois Vogel to help give Whiz Bang its distinctive look.  The entire spot was shot @ 5K on the RED EPIC.  Each of the nearly 100 shots was repositioned by hand so that the talent remained fixed across the different locations as he moved from left to right.  The main challenge was making sure every shot matched up to the next since one wrong tweak would cause a ripple effect down the line.  This combination of production and post-production synchronicity resulted in a fresh new look for AT&T.


What we did
Design VFX